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altered  - Contemporary Art  in  Ancient  Churches

Check  out  our  News  and  events  Pages  for  details  OF  UPCOMING  EVENTS
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Altered  Partnership 

The  Altered  Partnership originally  consisted  of The  Diocese  of  Lincoln,  artsNK  and  the  University  of  lincoln  which came to an end  with  the  completion  of  the  Arts Council  England  funded  project  in  June 2015. Now, artsnk  uses  Altered as a brand,  promoting arts  projects  that  take  place  in  churches  across  Lincolnshire.

Diocese of Lincoln

Established in 1072, the Diocese of Lincoln is the Church of England in Lincolnshire, North Lincolnshire and North East Lincolnshire. The Diocese covers 2,673 square miles and has a population of 943,000. There are around 31,000 people on the Church Electoral Rolls. There are more than 220 clergy and lay workers serving 240 benefices. The Diocese's 631 parish churches are supported by the four members of the Diocesan Church Buildings Department, which is based Edward King House, Lincoln along with other departments dedicated to supporting the Diocese's work. These departments include Finance, Resources, Property, Ministry, Education and Communications. In total the administrative centre of the Diocese employs approximately 50 people. 

The Diocese of Lincoln is a registered charity and company, operating under the name Lincoln Diocesan Trust and Board of Finance Ltd. Its elected, policy-making body is the Diocesan Synod, which comprises 180 members under the presidency of the Bishop of Lincoln.

artsNK

artsNK has is part of Arts Council's National Portfolio together with The National Centre for Craft and Design and Design Factory. artsNK's core purpose is to extend opportunity for people to engage with quality arts within a sustainable programme. Their work in the District is about developing new opportunities for artists as well as building partnerships with local communities that extend involvement and understanding of the value of the arts in contributing to communities as well as quality of life and wellbeing. artsNK also work on projects outside of North Kesteven where these schemes are of quality and innovation and where there is a contribution to our core running costs. 'Altered' connects with all of these objectives and offers the county a framework within which to develop new, quality contemporary artworks and to build a programme that is sustainable by delivering the objectives of partners and stakeholders.

College of Arts, University of Lincoln

Ranked amongst the UK's top 50 institutions, the education process at the University of Lincoln is formed on the idea of a partnership in teaching and learning between staff and students with research shaping the curriculum; placing students at the core of the institution. Academics and students at the University carry out major research for the benefit of society across areas as varied as mobility technology, medical imaging for cancer diagnosis, prevention of community re-offending, anti-terrorist surveillance, food security and water conservation, treatment of insomnia and children.

Testimonials 

Pat van Boeckel: The challenge in Heckington for me was to make artwork which would not disturb the unique atmosphere of the centuries old church. In this way the video was a new experiment for me. In between the various projections I left room to look at the beauty of the church itself. I was surprised how much the church and the video could strengthen each other. I've never experienced so many (local) people taking the trouble to come to thank me personally.

Emily Tracy: I think my piece explored the building's architecture and context. It encouraged visitors and participants to do the same. The project offered opportunities for the local community to engage in the process of making the piece and to contribute to it.

William Lindley: I found St Andrew’s Church to be a fascinating building and I aimed to create an installation that would encourage visitors to explore it in depth. I introduced a range of works and contrasting experiences across the church, spanning from large ephemeral projections to small physical interventions into the building fabric. It was a tremendous opportunity to work freely in such an inspirational setting, and work in close collaboration with the church, partners, and community.
Find out more about William Lindley's work at: www.williamlindley.co.uk
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